PROFESSIONAL COURSES impressionist floral studies in acrylics 5/5 (1)

Impressionist Floral Studies in Acrylics

Impressionist Floral Studies in Acrylics 19.99 €

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updated 03/01/2022

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Paint Like The Masters

Lessons
1) Course Introduction THE IMPRESSIONIST FLORAL STUDIES IN ACRYLICS: INTRODUCTIONA brief introduction of the instructor and the course content. Participants will follow the footsteps of masters such as Van Gogh and Monet a ... 2 views link to external resource
2) Sketch, Colour Application And Background Creating a pencil sketch of the flowers with extending some of the petals over the picture plane. Following with the basic colour application to the flower and the background. No need for small brushe ... 2 views link to external resource
3) Petals The petals need to vary in colours and tones. Emphasis should be placed on establishing the depth by bringing darker tones towards the flower's centre while adding white and light pink colours t ... 2 views link to external resource
4) Enriching Colours Time to enrich some of the colours included in the petals and background. Especially the use of rich Alizarin Crimson and Quinacridone Red will help to achieve better depth in each of the flower ... 2 views link to external resource
5) Adding Details Time to focus on details to create a stronger illusion of 3D. The flower's centre is of special importance since it stands out in terms of its colours and shape. 2 views link to external resource
6) Last Touches It is always important to have the last view of a completed artwork to objectively decide if it can be left the way it is or if a couple more paint strokes need to be added. To gain this objective vi ... 2 views link to external resource
7) Sketch Create a pencil sketch following the reference image. 4 views link to external resource
8) Line Tracing With Sharpies Re-draw all pencil lines with regular Sharpie markers in blue (flowers, vase and table edge line ) and green (leaves and stems). This will be very useful to trace "lost" sketch lines while applying he ... 4 views link to external resource
9) Surface Priming, Background and Stand Before applying the actual colours seen in the reference image, cover the surface surrounding the vase and flowers with a wash of: 1.) Yellow Ochre/Oxide Yellow (table surface), and 2.) Any pink or ve ... 2 views link to external resource
10) Leaves Apply heavy layers of green paint (Phallo Green and Titanium White) inside of the leaves' outlines. To break the colour monotony, add some yellow mixed with green to some sections of the leaves. ... 2 views link to external resource
11) Flowers The flowers will be completed with two blue colours: Phallo Blue and Cobalt Blue. Apply paint generously to the flower sections. To enrich the colour composition, you can also add Ultramarine Blue and ... 2 views link to external resource
12) Refining Flowers and Leaves Time to refine the shapes for flowers, stems and leaves. With a smaller brush and/or edge of diamond shape palette knife, add or move some paint. Pay a special attention to introducing small patches o ... 2 views link to external resource
13) Back To Outlining To complete this painting, some of the outlines need to be re-painted with blue (Phallo Blue) or green (Phallo Green) colours. Voilà! The masterpiece is complete! 2 views link to external resource
14) Sketch And Colour Base Create a pencil sketch following the reference image. Follow up with application of light purple (Dioxazine Purple) in the sky section. Add dark green (Phallo Green & Burnt Umber or Ivory Black) to th ... 3 views link to external resource
15) Flowers And Stems Create stems and leaves using light green colour (Cadmium Yellow Light, Phallo Green and Titanium White). Use pink (Magenta, Alizarin Crimson or Quinacridone Red) and Cadmium Yellow LIght to paint f ... 5 views link to external resource
16) Creating Volume Concentrate on introducing the tonal changes to the flowers to create volume. 2 views link to external resource
17) Details Enrich colours of the flowers and leaves by adding some additional colours such as blue and yellow while improving the flower's shape. 2 views link to external resource
18) Last Touches Add the last patches of some colour to create a vibrant and unified colour composition. Voilà! The masterpiece is complete! 3 views link to external resource
19) Conclusion Providing some suggestions for the future floral artistic endeavours. 2 views link to external resource

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